THE BEST SIDE OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

The best Side of Charlie Chaplin's "The Circus" (1928)

The Buster Keaton character has his feet on the ground. He can be ashamed to parade his goodness. He works by using ingenuity rather than divinity. Chaplin’s untidy adore daily life implies he felt he deserved whomever he wanted; Keaton in private lifestyle seems to happen to be melancholic on account of alcoholism, but a decent ample type with G

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